Avtor: http://www.cvek123.com/clani/hrast/ Hrast
zelo lepo, samo nimam pa pojma, kje je toto so kamenčki v tvoji glavi
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zelo kičasto. Le komu je to lepo.Priznam, da je vloženega veliko dela, vendar je kičasto.
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Sodobnejsa perzijska umetnost http://visualtherapy.files.wordpress.com/2009/10/bj05.jpg
http://www.arbuturian.com/wp-content/uploads/2012/10/Tabrizi-horses.jpg
http://www.arbuturian.com/wp-content/uploads/2012/10/Tabrizi-horses.jpg
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http://www.dailymail.co.uk/travel/travel_news/article-3279262/Could-Iran-tourism-destination-2016-Country-braced-tsunami-visitors-nuclear-deal.html http://www.dailymail.co.uk/travel/travel_news/article-3279262/Could-Iran-tourism-destination-2016-Country-braced-tsunami-visitors-nuclear-deal.html
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http://www.madeinslant.com/wp-content/uploads/2013/10/Modern-Qajar-multi-panels.jpg
http://elitechoice.org/wp-content/uploads/2007/10/earthly-delight-iii.jpg
http://elitechoice.org/wp-content/uploads/2007/10/earthly-delight-iii.jpg
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Priznam, da je naslov precej zavajajoč oziroma slab prevod tistega iz Indexa.
Tako na sliki mogoče res zgleda precej kičasto, ampak ko si tam in vidiš stavbe v živo, je čisto drugače, če ti uspe videti kakšne neobnovljene dele znanih mošej, pa sploh.
Kar se tiče umetnosti pa, kdo ne pozna iranske kinematografije, ki je prav v svetovnem vrhu? Pa Hafisa in Runija?
Priznam, jaz sem zaljubljena v Iran.
https://en.wikipedia.org/wiki/Iran https://en.wikipedia.org/wiki/Iran
Tako na sliki mogoče res zgleda precej kičasto, ampak ko si tam in vidiš stavbe v živo, je čisto drugače, če ti uspe videti kakšne neobnovljene dele znanih mošej, pa sploh.
Kar se tiče umetnosti pa, kdo ne pozna iranske kinematografije, ki je prav v svetovnem vrhu? Pa Hafisa in Runija?
Priznam, jaz sem zaljubljena v Iran.
https://en.wikipedia.org/wiki/Iran https://en.wikipedia.org/wiki/Iran
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Avtor: Micka npr.
Priznam, da je naslov precej zavajajoč oziroma slab prevod tistega iz Indexa.Tako na sliki mogoče res zgleda precej kičasto, ampak ko si tam in vidiš stavbe v živo, je čisto drugače, če ti uspe videti kakšne neobnovljene dele znanih mošej, pa sploh.
Kar se tiče umetnosti pa, kdo ne pozna iranske kinematografije, ki je prav v svetovnem vrhu? Pa Hafisa in Runija?
Priznam, jaz sem zaljubljena v Iran.
https://en.wikipedia.org/wiki/Iran https://en.wikipedia.org/wiki/Iran
Tudi meni je zelo vsec 🙂
http://media.liveauctiongroup.net/i/11144/11504345_1.jpg?v=8CE7299207C5300
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http://www.fouman.com/Y/Farsi4-Avesta http://www.fouman.com/Y/Farsi4-Avesta
http://www.fouman.com/Y/Image/History/Persia_Legend_Arash_Kamangir_Hero.jpg
Avesta is the holy book of Zoroaster the prophet, Sacred Scriptures of the Zoroastrian religion.It contains hymns, prayers, and appeals to righteousness ascribed to Zoroaster. The present text was assembled in the 3rd–7th century AD from the remains of a larger body of scripture that was destroyed when Alexander the Great conquered Persia. It has five parts: the Gathas, hymns in what are thought to be Zoroaster's own words; Visp-rat, containing homages to spiritual leaders; Vendidad, the main source for Zoroastrian law; the Yashts, 21 hymns to angels and ancient heroes; and the Khurda avesta, composed of minor texts. (Wikipedia) - http://www.fouman.com/Y/Farsi4-Avesta http://www.fouman.com/Y/Farsi4-Avesta
http://www.fouman.com/Y/Image/History/Persia_Legend_Arash_Kamangir_Hero.jpg
Avesta is the holy book of Zoroaster the prophet, Sacred Scriptures of the Zoroastrian religion.It contains hymns, prayers, and appeals to righteousness ascribed to Zoroaster. The present text was assembled in the 3rd–7th century AD from the remains of a larger body of scripture that was destroyed when Alexander the Great conquered Persia. It has five parts: the Gathas, hymns in what are thought to be Zoroaster's own words; Visp-rat, containing homages to spiritual leaders; Vendidad, the main source for Zoroastrian law; the Yashts, 21 hymns to angels and ancient heroes; and the Khurda avesta, composed of minor texts. (Wikipedia) - http://www.fouman.com/Y/Farsi4-Avesta http://www.fouman.com/Y/Farsi4-Avesta
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http://www.persianesquemagazine.com/wp-content/uploads/2011/05/Navid-Azimi-Agamemnon-C-Print-57-X-34-cm1.jpg
http://www.persianesquemagazine.com/2011/05/27/breakfast-in-tehran-women-in-contemporary-iran/ http://www.persianesquemagazine.com/2011/05/27/breakfast-in-tehran-women-in-contemporary-iran/
Breakfast in Tehran will be a chance to see a selection of drawings, collage, photography, video and printmaking from a group of new and established Iranian artists living in Iran and exhibiting in London together for the first time.
The exhibition considers the representation of women in contemporary Iranian art, and demonstrates how accepted images and interpretations of femininity are being subverted.
Since the Islamic Revolution, images of turbaned mullahs, ayatollahs and Mahmoud Ahmadinejad present Iran as an extreme patriarchy whose narratives are shaped and written solely by religious men.
We occasionally hear stories in the media of a few prominent Iranian women like lawyer Shirin Ebadi, writer Marjane Satrapi, or the artist Shirin Neshat, but of the millions of women who live in Iran we hear very little.
What does this silence hide about the lives of this quietened mass of humanity?
Everywhere in Iran women are active and visible, apparent and hidden. Perhaps they are walking or driving along the teeming city streets or quiet country lanes, looking out of the window of a high-rise apartment at the street below, or bargaining in a shop, or petitioning in the courts, or just sitting down to smoke a cigarette after breakfast in their homes.
Breakfast in Tehran presents work by male and female Iranian artists, each depicting the predicament of women in contemporary Iran. These depictions aim neither to play to the standard ‘western’ idea of them as totally oppressed, nor claim that they are more liberated than we realise. Instead the exhibition acknowledges their unique situation where centuries of strictly defined roles, combined with decades of the Islamic Republic operating on a globalized stage have resulted in a strangely paradoxical environment.
Women are active in all levels of society and the traditional roles of ‘wife’ and ‘mother’ are only a part of the lives of some women.
The Iranian feminist movement has been politically and socially engaged for some years, and visual artists are now bringing this activism into the cultural arena and changing and subverting the traditional representation of women in Iran.
Featured artists are:
Azadeh Akhlaghi
Navid Azimi
Majid Koorang Beheshti
Taha Heydari
Khosro Khosravi
Azadeh Madani
Saba Masoumian
Kourosh Salehi
Atefeh Samaie
Rozita Sharafjahan
*Admission: Free.
http://www.persianesquemagazine.com/2011/05/27/breakfast-in-tehran-women-in-contemporary-iran/ http://www.persianesquemagazine.com/2011/05/27/breakfast-in-tehran-women-in-contemporary-iran/
Breakfast in Tehran will be a chance to see a selection of drawings, collage, photography, video and printmaking from a group of new and established Iranian artists living in Iran and exhibiting in London together for the first time.
The exhibition considers the representation of women in contemporary Iranian art, and demonstrates how accepted images and interpretations of femininity are being subverted.
Since the Islamic Revolution, images of turbaned mullahs, ayatollahs and Mahmoud Ahmadinejad present Iran as an extreme patriarchy whose narratives are shaped and written solely by religious men.
We occasionally hear stories in the media of a few prominent Iranian women like lawyer Shirin Ebadi, writer Marjane Satrapi, or the artist Shirin Neshat, but of the millions of women who live in Iran we hear very little.
What does this silence hide about the lives of this quietened mass of humanity?
Everywhere in Iran women are active and visible, apparent and hidden. Perhaps they are walking or driving along the teeming city streets or quiet country lanes, looking out of the window of a high-rise apartment at the street below, or bargaining in a shop, or petitioning in the courts, or just sitting down to smoke a cigarette after breakfast in their homes.
Breakfast in Tehran presents work by male and female Iranian artists, each depicting the predicament of women in contemporary Iran. These depictions aim neither to play to the standard ‘western’ idea of them as totally oppressed, nor claim that they are more liberated than we realise. Instead the exhibition acknowledges their unique situation where centuries of strictly defined roles, combined with decades of the Islamic Republic operating on a globalized stage have resulted in a strangely paradoxical environment.
Women are active in all levels of society and the traditional roles of ‘wife’ and ‘mother’ are only a part of the lives of some women.
The Iranian feminist movement has been politically and socially engaged for some years, and visual artists are now bringing this activism into the cultural arena and changing and subverting the traditional representation of women in Iran.
Featured artists are:
Azadeh Akhlaghi
Navid Azimi
Majid Koorang Beheshti
Taha Heydari
Khosro Khosravi
Azadeh Madani
Saba Masoumian
Kourosh Salehi
Atefeh Samaie
Rozita Sharafjahan
*Admission: Free.
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http://www.iranicaonline.org/uploads/files/Saqqakhana_i_and_ii/saqqakhana_ii_fig_6.jpg
http://iranian.com/Arts/2003/October/Moghadam/Images/1.jpg
https://diwyansh.files.wordpress.com/2011/12/chetna.jpg
http://www.parstimes.com/arts/nasser_ovissi/07.jpg
https://windowsoniran.files.wordpress.com/2011/03/taraneh-sadeghian.jpg
http://iranian.com/Arts/2003/October/Moghadam/Images/1.jpg
https://diwyansh.files.wordpress.com/2011/12/chetna.jpg
http://www.parstimes.com/arts/nasser_ovissi/07.jpg
https://windowsoniran.files.wordpress.com/2011/03/taraneh-sadeghian.jpg
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Avtor: Oooo
Razocarana gospodinja je ze navsezgodaj v akcijiROFLMAO 😆
Ti je vsec iranska umetnost, ms K 😆 😛
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Sex, drugs and rock'n'roll: Skriveno lice Irana
http://lajk.s3.index.hr/index/800/fd7f58fd-8255-4fc4-a83b-58ee3fe54955.jpeg
http://lajk.s3.index.hr/index/800/fd7f58fd-8255-4fc4-a83b-58ee3fe54955.jpeg
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Odgovor lahko oddate kot gost. Vgrajena je časovna omejitev 30 sekund za oddajo novega sporočila.
Opozorilo: po 297. členu
Kazenskega zakonika je vsak posameznik kazensko odgovoren za javno spodbujanje sovraštva, nasilja ali nestrpnosti.
02.03.2016 ob 19:49
Možete li pogoditi što je ovo i gdje se nalazi? Ako vam većina slika nije poznata, ništa čudno, neke od ovih povijesnih građevina gotovo je nemoguće fotografirati zbog raznih zabrana i silnih dozvola.
Radi se o nevjerojatnoj kaleidoskopskoj ljepoti stare iranske arhitekture u džamijama, školama i ostalim zdanjima. Bojane pločice, ručno izrađivane i slagane u svodove iz snova. Uživajte!
_________
p.s.
Fotke sicer niso moje, pa tudi izbor bi bil čisto drugačen, je pa Iran čudovit.
http://lajk.s3.index.hr/index/800/ad4d0748-2de4-437b-932d-b0e8d06ab1b1.jpeg